Thursday 29 October 2009
Sarvajnya: A radical encyclopedic
Shivanand Kanavi draws a portrait of Sarvajnya, the radical poet who strode through Karnataka of 16th century, about whose personal life little is known
A group of writers led by Diderot, d’Alembert, Rousseau and Voltaire, created the Encyclopedia in 18th century France and thus came to be known as Encyclopedists. They were all fired with a common purpose: to further knowledge and, by so doing, strike a resounding blow against reactionary forces in the church and state. The underlying philosophy was rationalism and a qualified faith in the progress of the human mind. Their work proved to be far more revolutionary and radical than their contemporaries had envisioned and had an indelible impact on the French Revolution.
Roughly two hundred years prior to the French enlightenment, strode a poet all over Karnataka who also called himself an encyclopedic—a Sarvajnya. Normally in the Indian tradition there is great humility and display of one’s learning is frowned upon. The word Sarvajnya is more often used to ridicule those ignoramuses who act as ‘know-all’s. But Sarvajnya was unabashed and truly used his poetic skills to comment on all sorts of subjects from the daily life of people. His poems talk about agriculture and different professions; about the joys and problems of family life; about the caste system; about hollow religious rituals; about all the four goals in life, dharma, artha, kama and moksha and so on with a great sweep and with profound wisdom.
His tools were biting satire as well as gentle humour. At the same time these aphoristic pearls of wisdom became so popular that one could find manuscripts recording them in ordinary villagers’ homes as well as in royal palaces. In fact over a period of time, they have become substitutes for proverbs. Rev Chennappa Uttangi (1881-1962) did a yeoman service by traveling all over Karnataka for nearly a quarter century from village to village to collect and edit over 2000 of Sarvajnya’s vachanas or poems and published them in 1924. Sarvajnya is spoken of with the same affection and respect, by the ordinary folk and the learned alike as Vemana in Telugu and Tiruvalluvar in Tamil.
Sarvajnya’s poems are marked by high poetic qualities as well. Besides using analogies, allegories, alliteration, puns and double entendres they use simple pure Kannada words. Sarvajnya not only used the folk idiom and language but also a common folk metre called the tripadi—three liner and raised it to great heights. His amazing control over the form of tripadi has led to literary critics comparing him to the mythological Bali who is supposed to have used three foot steps to cover heaven earth and hell.
His influence over later poets is deep and extends up to the present day. He was greatly admired by D R Bendre (1896-1981), who himself was one of the great poets of 20th century. Bendre said of Sarvajnya, “His poems are like an instruction manual to all writers. They are marked by: the most appropriate choice of words; correct analogies and metaphors; the truth in his examples and allegories; breadth of experience and nuanced sensitivity of observations. The morals in his vachanas are not dry preachings; they are filled with the sensuality of subhashita and mixed with subtle humour”.
However other than what we learn of his rational world outlook and honest expression we know very little of this towering itinerant iconoclast who strode Karnataka nearly 500 years ago. Dating him is also rough and is based on the fact that a work written in 1600 CE refers to Sarvajnya. As for the faith or caste he was born into again there have been guesses but no confirmation. His vachanas indicate his leanings towards Veerashaivism. But it would be a sign of extreme narrow mindedness to put this radical in a straight jacket of faith and caste. Some autobiographical poems imply that he was born in Masoor near Dharwad.
A few of his vachanas have been translated below by the author. As is usual in such cases, translation can only give a sense of their content but not the literary and cultural richness.
The Yogi has no caste, the wise one is not stubborn
The sky has no pillar to hold it up, the heaven
Does not have a ghetto for the outcaste, says Sarvajnya.
The world is born out of the unclean
The Brahmin however says “don’t touch me I am clean”
Then where was he born, asks Sarvajnya.
Bones, entrails, nerves, skin, holes, cavities
And fl esh with all kinds of excretion, constitute all beings
Where then is the justifi cation for caste asks Sarvajnya.
We walk on the same earth and drink the same water
We are all burnt by the same fi re, then where does
Caste and gotra come from asks Sarvajnya.
They bring drinking water from the same source and cook
But do not want to sit together and eat
Sarvajnya does not need such people.
The fi ngers count, the tongue multiplies
But if the mind is distracted
Then it is like a street dog says Sarvajnya.
Ganga, Godavari, Tungabhadra and Krishna
You dipped in all of them, but you did not realize the God
within you asks Sarvajnya.
If dipping in holy water the Brahmin jumps straight to
the heaven, then why won't a frog in the same water
Jump up too asks Sarvajnya.
If Sandal wood on the forehead takes you straight to
heaven then why not the stone
On which you make its paste, asks Sarvajnya.
If three holy threads take you to heaven
Then why not someone wearing
An entire rug asks Sarvajnya.
If a thick coat of ashes takes you to the heavens
Then why not a poor
Donkey wallowing in it, asks Sarvajnya.
In a crore of professions agriculture is the highest,
Agriculture leads to textiles too
Else the country itself would be in trouble, says Sarvajnya.
If you tell the truth as you see it they get upset
That is why it is very diffi cult to see people who speak
the truth as they see it, on this earth, says Sarvajnya.
One does not become a Sarvajnya through arrogance
By humbly learning a word from everyone
Sarvajnya became a mountain of knowledge
These are but a few samples. It is difficult to choose from a treasure house of over 2000 of Sarvajnya’s poems where he covers a vast number of topics in everyday life.
It is appropriate that recently the governments of Karnataka and Tamil Nadu commemorated Tiruvalluvar and Sarvajnya through unveiling their statues in each other’s states. However, a more concerted effort should be made to introduce Indians to the rich diversity of cultures and literature from different regions and languages of India.
Reference: Sarvajnya Vachana Sangraha , Selected Vachanas of Sarvajna, Compiled by M.Mariyappa Bhat, Sahitya Akademi, New Delhi, 1996
From: Ghadar Jari Hai, Vol III, Issue 3 & 4, July-Dec 2009